(Jan. 7, 2014) — Tonight, the cable channel Logo will air a movie-length compilation of the series EastSiders. [Check your local listings, but it looks like 11:30 p.m. in the East.]
So, what’s the significance of this — other than the fact that I’m a fan? Well, I think it’s because the series is at the vanguard of blurring the line between Web-based entertainment — the quality of which is seen often (and wrongly) as “less than” — and traditional broadcast/cablecast TV. Logo seems to be tentatively dipping its toes into the Web world to see what they can mine for their network. (The show was released originally on Logo’s website, after the first episodes premiered on YouTube.)
Down the TV Rabbit Hole
I’m actually not among the ones who think that a television deal is the end-all-be-all of the entertainment world. In fact, I tend to think that networks are looking to the Web for content because they are running scared — scared of the death of cable monopolies, scared of the death of cable bundling, scared of the increasingly small numbers of corporate parents, which tends to have a negative effect on diversity and innovation.
I mean, let’s get real, it’s great that Logo is out there, but it’s owned by one of the most powerful entities in the entertainment world: Viacom. And it does not exist because of any altruism; it’s because Viacom saw a niche where they thought they could make some money. Not making any money? BAM! You’re the next Discovery Health Channel.
It’d be great if the creators of EastSiders could tap into a bit of that corporate money to make a second series (or more), but not at the price that corporate tentacles usually bring with them.
Still, watch, if you’ve never seen it. It’s a terrific example of a program made independent of studio money or interference that’s simply just better than most anything you’ll find on a major network. It’s one of the first, of what I hope are many, programs to showcase different voices and points-of-view.
It’s Awards Season
It is. I know this because the New York Times on Sunday helpfully included and entire special section in the newspaper. One of the awards not helpfully included were the Third Annual Groovy Awards for Web Series Excellence.
There were a few outliers, but generally EastSiders and It Could Be Worse took home the most, er, …. well, I don’t know what groovy thing you get — statuettes? trophies? certificates? Starbucks gift cards?
Anyhow, here’s a rundown:
Grooviest Drama Series: EastSiders
Grooviest Actor in a Drama: Van Hansis, EastSiders
Grooviest Supporting Actor in a Drama: John Halbach, EastSiders
Grooviest Supporting Actress in a Drama: Constance Wu, EastSiders
Grooviest Guest Star in a Drama: Sean Maher, EastSiders
It Could Be Worse received the following in groovy achievement:
Grooviest Comedy Series
Grooviest Gay Series
Grooviest Actor in a Comedy: Wesley Taylor
Grooviest Supporting Actor in a Comedy: Adam Chanler-Berat
Grooviest Supporting Actress in a Comedy: Alison Fraser
Grooviest Guest Actor in a Comedy: Audra McDonald
It Could Be Worse is the brainchild of Wesley Taylor and Mitchell Jarvis and fast-established itself as a member of that rarified position occupied by EastSiders, The Outs, Whatever This Is, and Husbands known as “Belongs on TV if TV Had the Balls to Produce It.” A second season is currently in production.
Meanwhile, I have to say, it’s an egregious slight not to include EastSiders creator and star Kit Williamson on the “groovy” list. He’s just as groovy as Van — and I’m not even being paid to say so!!