10/11/14 — National Coming Out Day — This is the perfect day to help make more gay and lesbian representation in the cinema happen. Help to fund this film, a good old-fashioned ‘whodunnit’ with a West Hollywood twist. And, it features some superstar talent: Gale Harold, Van Hansis, Kit Williamson, Jonathan Lisecki, just to name a few. They’ve got just under a month left and about $75,000 to raise. You can make that happen. Here’s the link. Click it!
Good in-depth interview by Pat Cerasaro on Broadway World with Billy Magnussen. He’s one of my favorite interview subjects of late because he comes across as completely genuine — and more than a little bit quirky.
He’s shooting the new Into The Woods movie right now and he’s hot off his Tony-nominated turn in Vanya and Sonia and Masha and Spike, Christopher Durang’s exceptional play and one of the funniest afternoons I’ve ever spent at the theatre.
Magnussen is certainly easy on the eyes — just as he was back in the day when he played Casey Hughes on As The World Turns where I first ran across him — but he’s more than just another pretty face. His band is damn good, too. Here’s a link to the iTunes pages for Reserved For Rondee.
The studios spend ever more on the blockbusters they make because that demonstrates their power and pays everyone in the chain more money, which creates more (apparent) power for those in charge.
But since they pay so much, they have no choice, they think, but to say, “This must work!” So they polish off the edges, follow the widely-known secret formula and create banality. No glory, it seems, with guts.
Every meeting is about avoiding coming anywhere near the sentence, “this might not work,” and instead giving ammunition to the groupthink belief that this must work.
And as soon as you do that, you’ve guaranteed it won’t.
Every bestseller is a surprise bestseller, and in fact, nobody knows anything.
(And of course, it’s not just movies, is it?)
Ah, Seth Godin, you sayer of sooth. Scratch around on this blog and search for references to “EastSiders” and “Husbands” and “The Outs” and “Whatever This Is” which are all independent productions, done for miraculously little money by writers and filmmakers who are truly committed to telling great stories and presenting them in innovative ways. None of the banality of “Hollywood,” I can assure you.
My old pal, Sir Ian McKellen, also known as Sir Patrick Stewart’s BFF/X Men nemesis/fellow waiter for Godot — also Gandalf — is slated to be the next actor to carry the mantle of Sherlock Holmes at the movies. Sorry, the cinema.
The 74-year-old McKellen will play a retired Sherlock who decides to have a crack at one last case. Sir Ian, one of the top actors in the world, is also a cracking nice chap. At least that’s my experience.
No word if there’ll be any Cumberbatch cameos!
Simon Pegg spoke with WTF with Marc Maron and decried the idea of a bromance, but for all the right reasons. “You can be affectionate with each other, you can love each other and it doesn’t have to be some – you know, and even if it does turn into something, which it didn’t, then it’s okay… We always sort of flinch at this “bromance” buzzword that’s come up – there’s no equivalent for women, because it’s not weird if women are friends… because of this homosexual terror that straight guys have, it’s ridiculous. Now there has to be this word for it, and it’s crazy. It’s totally sad.”
“If you are a romantic lead, there is a perception — I don’t know if it is true or not — that you will no longer be cast as straight people,” [Jason Isaacs] told the Telegraph. “Even when casting gay roles, there is a tendency to cast straight people, so they are lauded for their transformation. It’s ridiculous. The notion that a gay actor can’t seem like they are in love with a woman on screen is so patently absurd I can’t believe it still exists.”
I couldn’t agree more. Of course, I looked at the photo and went, “Who in the hell is Jason Isaacs in Harry Potter?” That’s because Jason Isaacs is this guy:
I know, right?
Astonishing what a little slap and a blonde wig’ll do for ya!
GLAAD has previously released annual Network Responsibility Index reports on LGBT visibility in television, but this marks the first time they’ve provided an analysis of movie studios. And what they found in this first report is not good.
I’ve said it before and I’ll say it again, the most homophobic place in America is (metaphorically speaking) the corner of Hollywood and Vine.