The Straight Years — A New Website and a Look Back at How it Used to Be

Got this tweet this past weekend from LogoTV —

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Of course, I had to check it out.

The premise is people who are out now showing old pictures of themselves when they were pretending to be straight — or simply hadn’t figured out how to come out of the closet.

Back when I was a pre-teen/teenager, there were three people on television that I knew were gay: Paul Lynde on The Hollywood Squares, Charles Nelson Reilly on Match Game, and Billy Crystal’s character, Jodie Dallas, on Soap. And that was it! At least that was it in my little insulated corner of the planet. No one talked about gay and straight. Were these my role models? No, thanks. That’s not it. I’m not like ANY of these men. (Although, I LOVED Paul Lynde and Charles Nelson Reilly — they were the epitome of hilarious to me in the 70s — I did not connect the dots.)

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Charles Nelson Reilly made the 70s a little bit funnier on Match Game. A gifted actor, teacher and director, the Tony-winning Reilly filmed his autobiographical stage show, The Life of Reilly, shortly before his death. |Image: nndb.com

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TV’s center square, Paul Lynde, was bitchy and campy and threw out one double entendre after another on The Hollywood Squares for years. Also known for stage and TV work, including memorable turns as Uncle Arthur on Bewitched, Lynde died of a heart attack in 1982 at age 55. |Image: crewmagazine.

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Billy Crystal as Jodie Dallas in Soap. Allegedly gay throughout the series’ 1977-81 run, Jodie had several relationships with women. Granted the show was an over-the-top spoof on soap operas, but commercial director Jodie was nobody’s idea of a role model.

Things weren’t that much better in the 80s, when Steven Carrington on Dynasty was television’s gay standard bearer. Carrington — played by Al Corley and then recast with Jack Coleman — like Jodie Dallas before him, had far more romantic entanglements with women than any gay man I’ve ever met. Then again, “conversion therapy” and attempts to go straight were seen as serious back then, as ridiculous as it sounds now. There was no touching, no actual affection shown between two men on TV then; not in those days when, after his 1985 death, the world was shocked to learn that Rock Hudson was gay.

Looking back on those “straight years,” I think that simply because they were there and we could have a conversation about them, Jodie Dallas and Steven Carrington began to pave the way for networks like HERE and LOGO and superstars like Ellen Degeneres and Rosie O’Donnell and Zachary Quinto and George Takei and Anderson Cooper and Neil Patrick Harris and shows like Glee and The New Normal and Will & Grace and Brothers & Sisters and The L Word and Queer as Folk on cable and the networks and Husbands and The Outs and Eastsiders and Submissions Only and Hunting Season online and iconic couples like Kevin and Scotty,  Luke and Noah,  Lindsey and Melanie,  Will and Sonny and, hell, Jack and Doug on Dawson’s friggin’ Creek just to scratch the very tip of the iceberg.

I finally figured it all out in my mid-20s and came out publicly after attending the 1993 gay march on Washington. Being surrounded by the largest crowd I’ve ever seen on the National Mall, I decided that I wasn’t alone. I had back up in case coming out was a terrible idea.

It wasn’t. It NEVER is. I just wish my “straight years” hadn’t lasted quite so long. Maybe they wouldn’t have if I could have seen more of myself on television, in the movies or in literature back then.

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The Corner Bar was a 1972 summer replacement series on ABC that is credited with the first recurring gay character on American television. Played by Vincent Schiavelli, “Peter Panama” was reviled by gay activists at the time for playing up all of the worst gay stereotypes. Schiavelli, far right, is pictured with cast members Gabriel Dell, J.J. Barry, Shimen Ruskin, Bill Fiore and Joe Keyes. |Image via sticomsonline.com, watermarked argentaimages.

How “Husbands” Predicted The Future For Gay Marriage And Digital Hollywood

How “Husbands” Predicted The Future For Gay Marriage And Digital Hollywood.

Fortunately, Husbands has not had to worry about suffering from performance issues. When Bell and Espenson launched it two years ago as a web series on YouTube, it won a rave from no less than The New Yorker, and generated enough of a passionate fan base that the duo was able to raise $60,000 on Kickstarter for a second season. That season, which debuted on YouTube last year, saw a roughly 35% boost in viewership. “Everybody has access to the ability to make their own product now,” says Espenson. “It really is ‘the best will thrive.’ Like, whole networks are set up to guess what people are going to like. You don’t have to guess anymore. You can put it up and see what they like. That’s what we did. And they liked us.”

Excellent article and interview with Bell, Espenson and Hemeon about the impact of Husbands and finding new venues for content.

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Husbands’ co-star Sean Hemeon is flanked by series co-creators Brad Bell and Jane Espenson at the 2013 Entertainment Weekly San Diego Comic Con party. The much-lauded marriage equality series centers on Hemeon and Bell, who play a hilarious mismatched married couple in the crisply written show. | Image: Chelsea Lauren/WireImage.

It’s very interesting to me that the trio no longer use the phrase “Web series” to describe the show, now beginning its third season (and this time on CW Seed, the companion site to the broadcast network), but rather simply call it a “series.”

I think they are right — and it’s very interesting to see language and usage change — sometimes practically overnight.

Says Espenson: “There’s nothing on YouTube that you can’t see on your smart TV. There’s nothing on TV, essentially, that you can’t find online in some form. So [saying “Web series” is] like saying, “I heard a radio song” vs. “a CD song!” Well, what’s the difference? You can get it either place.

I’ll have to start checking myself.

Meanwhile, you can watch — please do; it’s terrific!! — the new season of Husbands on CW Seed.

Watch the first two seasons and some behind-the-scenes videos HERE.

Read some of the Husbands-related posts I’ve made over the last year HERE, HERE, and HERE.

Broadchurch: ITV’s Sneaky Drama Comes to the U.S.

Here’s a good interview, courtesy of NPR, with the dreamy David Tennant about Broadchurch, the eight-episode whodunnit that hits the U.S. shores this week on BBCAmerica.

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David Tennant and Olivia Colman, center, lead the ensemble cast in this terrific British thriller. Fourth from left, with the dog, is the delicious Pauline Quirke, one of my favorite actors from the U.K. Americans may not know her as well as Tennant, but she’s a powerhouse over there. Colman has a very funny turn in the new film “I’ll Give It a Year.” | Image” ITV.

Like a lot of British procedurals seen in the States, Broadchurch was originally shown on ITV, like Downton Abbey and other shows shown on PBS on this side of the pond. So many people think these are all BBC productions — and I suppose the name of the network over here doesn’t help — but this is an ITV production.

Broadchurch became a national event in the U.K. earlier this year and it really keeps you thinking. As Tennant points out in the NPR interview, the format — one murder over eight episodes — allows for more plot and character development than you find in the traditional one-hour stories told on U.S. procedurals.

I won’t give away anything — I’ve already seen it!! — but I certainly would urge you to watch! (And not even because I’ve been mad for David Tennant since he was “the Doctor!”)

Then There’s This “All American”

You’ve probably seen 22-year-old Steve Grand’s self-funded video, All American Boy, on YouTube. More than a million people have. It’s the latest example of this particular generation breaking barriers that seemed so insurmountable just a few short years ago. Also, the song’s damn good.

Grand seems a genuine good sort and after a lot of the stuff he’s been through, it shows two things: the resiliency of the human spirit and that karma’s a real bitch!

Here are a few links:

Good Morning America

All American Boy video

Steve’s Facebook

Steve’s Bandcamp Page (donate a buck or more and download the song).

’90s Flashback — Who Opposed DOMA [video]

A few stunning voices speaking out against DOMA in 1996, assembled by Lawrence O’Donnell for MSNBC. Worth a listen, for sure — but especially to Georgia’s John Lewis, the grandfather — the godfather — of agitating for social change in America. From rising literally “bloody but unbowed” to walking the Edmund Pettus Bridge and nearly being killed, to simply and eloquently refusing to sit down, Rep. Lewis, rightly called “the conscious of Congress,” remains one of the true champions of what America should aspire to be.

H/T to Andrew Sullivan, who first embedded this in a great piece on The Dish.

Sullivan and Savage go to the Library and Talk About Sex, Marriage, Being Gay and Writing Books

I love both Andrew Sullivan and Dan Savage. In a recent event sponsored by the New York Public Library, the two got together for a long conversation about a broad range of topics. As ever, both were captivating and insightful. Spend some time watching this; you’ll be glad you did.

Andrew and Dan go to the Library

 

Chandler Massey Takes Home Second Emmy

Days of our Lives star Chandler Massey took home his second consecutive Emmy award for this portrayal of Will Horton, whose coming out storyline was one of the most talked about plots on daytime. Massey is one of several marvelous young actors plying their trade in fictional Salem these days, perhaps one of the reasons that the venerable NBC drama picked up only its second Outstanding Drama Series statue in its 45-year run on Sunday night.

In the clip below, Massey thanks his on-screen love interest and fellow nominee in the same category, Freddie Smith.

By all accounts, the awards show itself was a train wreck. No surprise. I mean, if you don’t have NPH, you don’t have an awards show!

Out — In Finland!

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Petteri Paavola (left) is out teen Elias and Ronny Roslöf is closeted hockey player Lari in the Finnish series Salatut Elämät.

I first wrote about the Finnish soap Salatut Elämät  back at the beginning of January. Since that time, my original post has been read hundreds and hundreds of times (thanks, btw) and is rarely not one of the most viewed pages of the week here on my little cranky corner of the Web.

YouTube user missfinlandia88, who has been captioning the storyline of Elias and Lari that has caught on with English speakers from around the world, informs us that today’s episode — a good soapy cliffhanger — ends the series until it comes back from its annual hiatus in September. For all you “Larias” fans today’s cut from what I call “Lots of Umlauts” will have to tide you over for the summer!

You’re Out? You’re Off the Air: Networks Swinging the Big Gay Axe

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NBC’s “The New Normal,” a gaycentric series the network chose not to renew.

Although most people associate the month of May with the Kentucky Derby, Memorial Day weekend traffic or beautiful spring bouquets for Mom, television has only one thing on its mind: Out with the old and in with the new. Manhattan is awash with TV folks in town for the upfronts, the annual ritual in which the networks present their fall schedules to advertisers in hopes of wooing big bucks. It is too early to tell which network will be the big winner, but this year there is a clear loser: gay characters.

via Derek Hartley: May-day! TV’s Big Gay Bloodbath. Huffington Post

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Will Horton (Chandler Massey) and Sonny Kiriakis (Freddie Smith) on “Days of our Lives,” one of the few gay couples on American television.

Sadly, Hartley tells it for the truth, but I’m not sure he actually goes far enough in his hue and cry against the broadcast networks.

Last year there was a lot of positive buzz about the numbers of gay characters on the networks. The sum total of gay characters was about 6% of all characters — lame — but it was the highest percentage ever. After wiping us off the map for all intents and purposes in primetime, in daytime it’s not much better. There seems only to be  Sonny and Will’s  front burner storyline on “Days of our Lives,” amongst the sordid lives being lived on the few remaining televised soaps. Other than that, gay characters on traditional American television are few and far between. (Eden Reigel’s Bianca stands alone — as a proud but lonely lesbian in the gay landscape of Pine Valley on the Web reboot of “All My Children.” It will be nice if that changes.)

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Van Hansis, Kit Williamson and John Halbach star in the superlative Web series “EastSiders,” created by Williamson and now available on logotv.com.

Moving away from traditional TV to find entertainment, I would encourage you to check out these great Web series: EastSiders, The Outs, Husbands, and others. If you go to Logo to check out EastSiders (highly recommended), explore some of their other Web only offerings, such as Hunting Season.

The Persistent Cult of Arrested Development

The Persistent Cult of Arrested Development — Vulture.

Jessica Walter in a classic Lucille Bluth moment on Arrested Development. “The drive-by outburst wasn’t an ad lib. “The wink was mine. Whore was not. That was our genius writers,” Walter said in an article on classic Lucille GIFs by Vulture’s Denise Martin.

Here comes “Arrested Development” again. A lot of people could care less, I assume, but there are some that feel like Will Leitch who wrote this excellent in-depth article on Vulture.

The resurrection is the direct result of the happy-go-tireless advocacy of a small but rabid group of superfans who have become, over the seven years since the show went off the air, a kind of cult—the best kind of cult. Amazingly, ­executives have actually listened to us, even thinking it was good business sense to do so. 

Netflix is releasing the entire new season (the first since 2006) of 15 episodes on May 26 for streaming. A whole lot of TV nerds (me, included, I suppose!) will be giddily streaming away watching one of the oddest, smartest and most demented TV series ever created. The new series will be dissected in minute detail by Bluthites, so there’s no reason for me to think of anything pithy to say about it all in advance.

Looking back, I’m not sure that there was a more sublimely ridiculous TV moment than this one, rendered in kinetic typography: