Mark Blackmon shared a Tweet with you:![]()
I agree wholeheartedly. There’s not a second of BOM that I didn’t love!
jian ghomeshi
@jianghomeshi The Book of Mormon = friggin’ brilliant. See it if you can see it!
Mark Blackmon shared a Tweet with you:![]()
I agree wholeheartedly. There’s not a second of BOM that I didn’t love!
jian ghomeshi
@jianghomeshi The Book of Mormon = friggin’ brilliant. See it if you can see it!

Shalita Grant, Kristine Nielsen, David Hyde Pierce, Genevieve Angelson (on rug), Sigourney Weaver and Billy Magnussen star on Broadway in Christopher Durang’s “Vanya and Sonia and Masha and Spike.” The play is directed by Nicholas Martin. Photographer: Carol Rosegg/O&M Co. via Bloomberg
Lucky me. I was in New York last week and had a chance to see Christopher Durang’s brilliant Vanya and Sonia and Masha and Spike at the Golden Theatre.
When we arrived and settled into our seats, the usher turned to us and said, “You’re going to laugh.”
“Good,” I said, “I could use a laugh.”
“Oh, you’re gonna laugh,” she said, “whether you need it or not!”
And I did.
Kristine Nielsen, David Hyde Pierce, the divine Shalita Grant and the hilarious Billy Magnussen all received Tony Award nominations for their performances today. They were all richly deserved — hell, I thought someone should have delivered a Tony to Ms. Grant after the performance I saw, she was so good — but I am puzzled by the Tonys snub (and it’s completely a snub) of Sigourney Weaver who, as Masha, delivers what may be my all time favorite line in the history of theatre in this play.
I just posted a bit about Jake Silbermann who is in a Tony nominated show on Broadway right now as well. Billy Magnussen — Spike — was one of Silbermann’s co-stars on As The World Turns. Let no one tell you great actors don’t come from soaps.
If you have a chance, see VSMS!
By the way: Here’s Billy Magnussen’s reaction courtesy of Theatre Mania. Priceless.
Billy Magnussen, Best Featured Actor in a Play, Vanya and Sonia and Masha and Spike:
“Ahhhh, my dog is eating this thing. I have two dogs. I have a French bulldog named Kiki Something Awesome Ninja Meatball. The other one is a long-haired miniature dachshund named Tank. I was in bed when I found out I was nominated for a Tony. I don’t have a publicist. I found out when my mom called this morning. I was sleeping. You know when your phone rings and you just keep yelling at your phone because you just want to sleep? That’s what I was doing. I didn’t know they were calling about that. After the fifth time, I was like, ‘fiiiiine…she has something to talk to me about.’ Crazy, right? I’m going to go to the gym right now. I have to run every day, because I gain weight fast.”
This is a terrific essay by Jake Silbermann. The interesting thing about it is that it gives you some insight from an actor’s point of view. Silbermann is pointing out something that is patently obvious to many of us but that seems completely revelatory to so many others; and that’s simply that “gay” and “straight” aren’t character traits.

Jake Silbermann as Noah Mayer (r) opposite Van Hansis as Luke Snyder on As The World Turns. The two became American daytime television’s first gay supercouple and were central to the storyline of the soap for the last several years that the show was on the air.
The sad part is that so many casting agents haven’t figured this out yet. And far too many agents are still of the old, old school where they counsel their gay clients not to take “gay roles” and they counsel their straight clients not to take them either because of the “fear,” as Silbermann points out of being typecast.
Hard to believe this question is still asked because “gay” isn’t a character trait anymore than straight is. Can you be type cast as straight? It may be that when we meet a new character on screen or stage, we assume they are heterosexual, but we don’t know who they are to the story. Is this the hero, best friend, love interest, antagonist, etc.? “Gay” is not a negative or a positive. It’s not descriptive. It’s really more of a circumstance, albeit a vital one. The point is being gay is not character defining.
Silbermann is a fine actor. He was terrific on the soap and he’s fast becoming a go-to actor in the theatre. He’s currently in Richard Greenberg’s Assembled Parties on Broadway. I haven’t seen this piece yet, but Greenberg is a playwright who relies on smart actors. You don’t get good notices in a Greenberg piece if you’re not a smart, savvy actor.
In addition to the Kickstarter that Silbermann talks about in this essay, he also wrote and co-starred in a fine short film called Stuffer a few years back. If you only knew him from his TV work, this piece instantly showed off his broad range.
Anyhow, take a read:
(4.29.13) — Today is Welcome Back to Pine Valley Day. (Or if your preference is just down the road, it’s Welcome Back to Llanview Day.) It’s the day that the Internet reboot of All My Children and One Life to Live begins.
It took me awhile, but I pinpointed my first viewing of AMC to the spring of 1982. I was a senior in high school and I had been, since before I even knew any better, a viewer of CBS soap operas — As The World Turns and Guiding Light, specifically. I couldn’t help it. That’s what my mother and my aunt and my grandmother watched. I couldn’t go anywhere, it seemed, during my childhood without having a CBS soap playing in the background.
That spring, a friend of mine called me on some holiday from school and demanded I turn on All My Children. (There was a lot of watching television while on the telephone in those days; just go with it.) She said that I had to watch this one crazy character because it reminded her of her mother. The actress was Dorothy Lyman, the role was Opal Gardner, and I thought it was hilarious. (And yes, Opal was a lot like her mother, as scary as that may be to contemplate.)
If Opal, Glamorama and all, got me to open the door, the rich, multi-generational tapestry of characters in Pine Valley invited me to the party and demanded that I pull up a chair.

The cast of the “new” All My Children includes many familiar faces, including original AMC cast member Ray MacDonnell and longtime co-stars Cady McClain, Jill Larson, David Canary, Julia Barr and others. Image: Ferencomm/The Online Network.
Watching AMC in those days was not just about watching the hot youngsters —Jenny and Greg and Angie and Jesse and Tad and Liza — it was also about watching Benny Sago spar with “The Duchess,” the one and only Phoebe Tyler, it was about the Charles/Mona/Phoebe triangle, it was about Langley and Phoebe and Myrtle and Opal, it was about hooker-with-a-heart-o’gold Donna Beck and Chuck Tyler, it was about Erica Kane and Tom Cudahy, Brooke English and Tom Cudahy, Palmer Cortlandt before Adam Chandler came to town, Nina and Cliff, Ellen and Mark, Joe and Ruth and Grandma Kate Martin, the best soap opera villain ever, Billy Clyde Tuggle. And “Bonkers.”
Great memories of stories well-told, but they are the stuff of television lore. They are the stuff of history as much as this iconic show opening:
When ABC announced the cancellation of AMC, I started to watch it again. I hadn’t watched much in the decade before the cancellation and I have it on pretty good authority that it was nothing like the Agnes Nixon-penned salad days of the 70s and 80s. The first thing I noticed was that Tad Martin had grey hair! Tad the Cad got old? What the hell? I just couldn’t get over that. I mentioned it to a friend and fellow viewer. He suggested that I should look in the mirror. Oh. According to the AMC bible, Tad and I are the same age. Dammit.

Still, I can mourn my lost youth, I suppose, but, then again, I don’t actually want to see the same things I saw in 1983. I don’t want to watch the same stories again and again. I want to be excited about new stories and new ideas. Isn’t that really the point?
(And the other point is that Michael E. Knight and I both aged gracefully and we still look fabulous, grey hair and all!)
Anyhow, today is a new day in Pine Valley. Like Brigadoon, it’s risen again and is ready to let us in. Maybe some of your old favorites won’t be there. Maybe you’ll be looking for The Goalpost or the Valley Inn or the Glamorama. Maybe they won’t be there either. But just like in1970 at the first beginning, Joe Martin will be there (God bless Ray MacDonnell!!).
Dixie Cooney will be there. And Opal Cortlandt. And Jesse and Angie Hubbard. And Brooke English and Adam Chandler. And a whole lot of young people that you don’t know yet. And that shouldn’t scare you away. That should excite you. It’s a new day. In the world and in Pine Valley.
Oft-repeated through the years — and for awhile seen in the opening credits, I believe — is the poem from Agnes Nixon’s AMC bible:
The Great and the Least,
The Rich and the Poor,
The Weak and the Strong,
In Sickness and in Health,
In Joy and Sorry,
In Tragedy and Triumph,
You are All My Children.
Nixon’s All My Children has always been about just those things. Today, they begin telling new stories in a new medium with both familiar and new faces just like always. I have a feeling this day may mark the beginning of a new day of serialized storytelling in this country. That hope — that we can again tune in tomorrow — or at four a.m. or watch from our phone on the train on the way home from the office — makes this a very good day indeed.
__________________
P.S. — I spent many years of my working life in the theatre. I don’t get star struck. I have met and worked with many famous personages, but my autograph collection is very, very small. The only person from a daytime drama I have ever deliberately sought out to meet and to sign an autograph was the late Ruth Warrick. I thought she was an absolutely brilliant actress and there have been very, very few characterizations ever that rose to the rarified level of Phoebe English Tyler Wallingford.
Would that the ‘Duchess’ could see Pine Valley reborn. I’m certain that she and the rest of the Daughters of Fine Lineage would be pleased!
I’m off on another adventure. April has been my month of adventuring and by the end of the month will have driven from Buffalo, New York to Ft. Lauderdale, Florida. And that’s not counting where I’ve flown. At what price glory, all this travel? Well, we’ll see. (Cross those fingers!)
Anyhow, follow me on Twitter (look left) to see where I am at any given moment should you care, but likely no posts here until May 1.
Until then, happy trails!
In spite of the fact that the subhead on this article in NEXT says Apr. 28, it’s actual debut date on LogoTV.com is Apr. 23. This is a terrific Web series and I’m so excited to see what will transpire as the story unfolds. So far, it’s been superlative acting and storytelling. It’s one of those bellwether shows, I think, that will show that there is a place for powerful, independent storytelling on the Web without corporate interference. A link to the series page is below. Watch it.
(Of course, I will be out of town on the 23rd and probably won’t have access to watch, but that just leaves me more to watch upon my return!)

Van Hansis, Kit Williamson, and John Halbach star in EastSiders. The Web series debuts on LogoTV.com on Apr. 23, 2013. Photo: NEXT magazine.
Watch EastSiders on LogoTV.com.
Read a bunch of other stuff I’ve written about EastSiders and Web series’ in general.
H/T to a tweet from Michael Fairman for this one.
All My Children’s Cady McClain (Dixie, for those in the know) in the guise of Web advice guru Suzy F*cking Homemaker explains how to watch All My Children when it debuts online later this month. Even if you don’t watch AMC, you should watch this!
WASHINGTON — A court has denied Virginia Attorney General and 2013 gubernatorial candidate Ken Cuccinelli a full hearing to challenge a ruling that struck down the state’s anti-sodomy statute as unconstitutional.
The court issued a short, two-sentence statement on Monday denying the petition, filed on March 26, for an en banc hearing. The court noted that no judge requested the full hearing in front of 15 judges, after a three-judge panel ruled the statute unconstitutional on March 12.
The decision is a blow for the attorney general, a steadfast social conservative who is running in an increasingly liberal state.
via Ken Cuccinelli Loses Petition To Uphold Anti-Sodomy Law. | Huffington Post
As a former resident of the Commonwealth of Virginia, I take issue with Luke Johnson’s assessment that Virginia is “an increasingly liberal state.” While it may be LESS virulently conservative than it was at one time, it is far, far from liberal — unless we’re talking Arlington County in Northern Virginia only.
Friends who still live in the commonwealth look in awe at Cuccinelli and wonder how he became AG and if he’s going to become governor. I’ll just say this: never bet against crazy. Vote against it, please, but never bet against it. In electoral politics as in well, just about any other endeavor that involves selling, look up what P.T. Barnum had to say about the American people!
Texts From Hillary Named Tumblr Of The Year By Shorty Awards.
This Tumblr has been one of my guilty pleasures over the last year or so. TFH transcended it’s blog origins and became a full-blown meme with everyone submitting TFH’s all over the place. I love that power of social media to spur creativity on.
Now, if we could just get that pesky world peace problem solved!
This is the house.
I lived in this house for six years and seven months. I moved there when I was 26 years old. It has been nearly that long since I was 26 years old.
Last week, a group of people that I hung out with back then got together for a reunion of sorts. Then I helped my cousin move. Then I flew home on a cushy first class ticket; pampering I needed after the grunt work of previous days. That’s not the story.
Here’s the story:
We named this house after its address. It was never “my house” or “the brown bungalow on the corner” (it used to be brown, if you’re confused by the picture of a white house that accompanies this post) or “the place where they throw the epic parties” or “Tara” or “Twelve Oaks” or any other damn thing.
This house was “Sixteenth Street.”
And everyone knew it.
We had a great group. That was my cousin’s doing. She was, we laughingly called her, our “cruise director.” We hung out, saw bands, drank, danced, partied, loved, lost, worked, traveled, solved the world’s problems, and lived our early adulthood as it should have been lived — with verve, with passion. Or as Thoreau might have said, we sucked the marrow out of it.
It wasn’t all fun and frivolity. During this time we watched helplessly as another of my cousins — and a roommate — died of cancer before her 28th birthday. It changed all of us. Irrevocably.
We were poor. So poor that I can’t even imagine it today, yet we managed because we had no other choice. Poverty often breeds necessity which is, as you know, the mother of invention. We were extraordinarily inventive.
Every year we cooked a massive Thanksgiving dinner on the Friday of Thanksgiving week and fed all of our friends who could not, would not or should not spend the holiday with family. We were each other’s family back then. Forty or 50 people ate at Sixteenth Street on those holidays, dubbed the “Feast of All Blackmons” by one of our gang.
The plumbing was laughable. And don’t even get me started on the “Hooterville Phone.” (Don’t ask.)
But we didn’t care. No one cared. The furniture was mostly cast-offs or trash pile “finds.” No one cared. What we did all care about was that no one was ever turned away. I learned about respect. I learned tolerance and acceptance. I learned how to love and be loved. I learned humility. I came out when I lived there. No one cared. There was some ribbing, to be sure, but no more than with anyone else with a new boyfriend. I learned how to be an adult on Sixteenth Street.
I also learned how to thaw pipes, prime oil pumps, perform minor plumbing repairs, and how it’s not a good party until someone (usually someone you are closely related to) blows something up in the side yard.
We got back together for a reunion concert of a band we used to see all the time. It has been about 15 years since we all hung out together. It was quite astonishing that it worked out in everyone’s schedules. And that everyone could travel. Most of us live, as my grandmother used to say, “hell and gone” from there these days.
The show was good, but not life-changing. The awkwardness that comes when people haven’t seen each other in so long lasted only a short time. We all fell back into our old roles, wearing them as a comfortable old sweater and reveling in the camaraderie, which was far, far more important than the music.

My cousin Jennifer and I on the side porch at Sixteenth Street. This was Spring 1992. She passed away a few months later. She was fantastic fun.
We told stories about the old days and laughed until we cried and could not breathe and then we laughed some more. More than once someone begged for us to stop because they feared the laughter would unleash that scourge of middle age: the weakened bladder!
When we said our goodbyes, my cousin and I headed south to pack up her house. She’s going through a divorce, so it was more of a pain in the ass move than your normal pain in the ass move. Also, we did it ourselves. Did I mention that if you combine my age with my cousin’s you come up with this number: 100. We should have bought stock in Advil.
With a little help we packed the truck, said our goodbyes and headed out. We planned to stop halfway, but didn’t. We planned to stop three-quarters of the way, but didn’t. We just kept going. Sixteen hours straight in a rental truck. We may be old, I tweeted at a refueling stop, but we have stamina, dammit.
After a quick few hours of sleep we began unloading the truck. A shower and a power nap later and it was time for a family dinner, more stories, more laughter, and finally bed.
My cousin is set up now in her new house. She is close to family in a place she wants to be. I have promised to visit often. She’s excited about her new life and I’m excited about having an excuse to visit a warmer clime.
Life resets itself sometimes and you begin to look forward to the memories that you will make in the future, that you will look back on in some past that’s still in the distance.
I’ve thought a lot about how I showed up on the doorstep at Sixteenth Street nearly a quarter of a century ago and how eager I was for a life in the city, surrounded by important people and doing important work. I’ve had great experiences since then. I’ve grown. I’ve changed. I’ve made a lot more money than I ever dreamed about back then. I’ve worked hard and I’m still working hard, but I feel more content and more comfortable in my own skin than I ever have. I owe a lot of that to the years on Sixteenth Street that so intrinsically formed my adult values and personality.
We always did call the place Sixteenth Street and never called it what it really was.
It was — and remains — home.