Netflix Checks Piracy To Help Decide What To Buy

Netflix has long argued that its service helps counteract piracy by offering a legal alternative; and it seems that the company is putting its money where its mouth is.

In an interview with Dutch tech website Tweakers, Netflix VP of content acquisition Kelly Merryman, says that it actively seeks out  TV series that have high rates or piracy when making programming decisions.

via Netflix Checks Piracy Stats To Help It Decide What To Buy – Forbes.

More than just a little bit smart.

And why do people pirate? Because traditional media outlets have not kept up with the needs/wants of the 21st century consumer.

New Kids on the Block — All My Children, That Is.

220px-Cady_McClain_at_2009_Emmys

Emmy Award-winning actress Cady McClain returns to serial drama and to one of her signature roles, Dixie Cooney Martin on the online reboot of All My Children. Photo: cadymcclain.com.

Here’s a cut from Cady McClain. It’s a terrific piece and any soap fan should take a few moments and read it and think about what she’s saying.

I want to talk about the new young people on All My Children, and why I think (and hope) the audience should give them a chance.  I am not known for blowing smoke up anybodies hoo-ha, right? Let’s just start with that as a baseline for this conversation!

via Let’s Talk About the Kids (of All My Children!) | Cady McClain.

Alert readers will not be surprised at all to learn that I am an enormous fan of continuing drama and what a powerful medium I believe it to be. I also believe that we are just at the beginning of a new era wherein we can harness the Internet as a new platform to tell stories. We don’t know quite how to do it yet, and that makes it exciting. It’s just as exciting as when the pioneers of television — like Irna Phillips — were figuring out how to take Papa Bauer’s family from mythical radio Springfield to mythical television Springfield and make The Guiding Light into a television program that viewers watched.

Phillips had two protégés in those early television days — William J. Bell and Agnes Nixon. And as influential as Phillips was in early television, one could argue that Agnes Nixon has an even more powerful legacy of harnessing the power of continuing drama to tell stories that have tremendous social impact. In 1962, Nixon penned the story of Bert Bauer’s cancer scare on The Guiding Light, before you could say “cancer,” “uterus,” or “Pap smear” on television. On Another World, she created young troublemaker Rachel Davis, who was seen by many as the prototype for her most famous creation, Erica Kane on her landmark serial All My Children.

Erica Kane (Martin Brent Cudahy Chandler [almost Roy] Montgomery Montgomery Chandler Marrick Marrick Montgomery) is the most popular character in the history of daytime drama in the U.S. Erica lied, cheated, cajoled, married, married, loved, lost, shocked the world, forced a bear to stand down, had daytime’s first legal abortion and, after 41 years on the air, she was still the most fascinating character ever created for television.

Skip to the point, please.

Fine. Here it is: people get wrapped up in soap operas. People begin to think of actors as the characters they play because they see them in their homes every single day. People get crazy obsessed. People don’t like some things ever to change.

Cady is making a tremendous case for the young people who are new to playing characters established in the previous broadcast incarnation of All My Children. She’s saying, “Approach this with an open mind. It’s different. But it’s good.” What I’m saying is a little less nice. I’m saying, “Change happens. Get the hell over it.” And if you can’t, don’t watch.

Eighty-five year old Agnes Nixon is working her ass off to deliver a product, a powerful story, in an untested medium. Prospect Park is investing millions of dollars in this experiment. Cady McClain and many of the “old guard” actors are putting their careers on the line for this new venture. The least you can do, if you are, in fact, a fan of All My Children, is to watch with an open mind. You might learn something. You might enjoy it.

And if you don’t? If this venture fails? Well, at least they tried. That’s what artists and innovators do. They try. Again and again and again. And no one thanks them enough for being fearless enough to try.

Me on online soap resurrections (with links to other serial related posts).

Me on annoying recent gay developments in daytime.

3/18/13 — Hulu just released their “Save The Date” trailer. Thought I’d stick it in if you haven’t seen it yet.

In with The Outs

It’s no wonder, then, that the most accurate and essentially human portrayal of young gay men today can be found on the Net, not the networks. Since premiering in spring 2012, a web series called The Outs has taken the gay community by storm. It’s been praised by The Huffington Post, Out, Paper, and more for its heartfelt and realistic portrayals of a group of 20somethings as they struggle with life and love in the city.

via Adam Goldman, on The Outs – Page – Interview Magazine.

Good interview with Adam Goldman by Benjamin Lindsay in Interview, which, I suppose, is a bit redundant. I mean, you don’t expect bad interviews from a publication called Interview, now do you.

Anyhow, I’m not a Brooklyn hipster, I’m definitely not a 20-something, so I’m not sure I’m remotely in The Outs demographic, but I really do LOVE this web series. It’s witty, it’s well-crafted, well-produced and well acted. Smart, sparkling dialogue that exudes a fantastic reality. Refreshing, really. What’s not to love. The exceptional eye candy as witnessed below (along with the adorable Tommy Heleringer, who deserves a shout-out) make it a treat to watch.

img-the-outs_144428604539

(l-r) Hunter Canning, Sasha Winters and Adam Goldman star in the exceptional Web series, The Outs. Photo: Interview/Unusually Fine Photography

Along with The Outs, I’ve been captivated by additional Web series, such as Husbands and recently L.A.-based Eastsiders, which I’ve written about here as well as on my Marketing blog. I’ve watched a lot of others, but these are the best of the lot — well at least in the “I’m hunting for high quality content with a gay bent” aisle that I’m shopping in. And that aisle is damn near bare in the network big box supermarkets.

(Aren’t you impressed that I segued so easily from Marketing into marketing? It’s okay, often I’m the only one who thinks I’m funny.)